{"id":18273,"date":"2023-03-29T15:48:18","date_gmt":"2023-03-29T07:48:18","guid":{"rendered":"https:\/\/www.eng.ntnu.edu.tw\/?p=18273"},"modified":"2023-03-29T15:50:23","modified_gmt":"2023-03-29T07:50:23","slug":"elementor-18273","status":"publish","type":"post","link":"https:\/\/www.eng.ntnu.edu.tw\/index.php\/2023\/03\/29\/elementor-18273\/","title":{"rendered":"Publication of March 2023 issue of Concentric: Literary and Cultural Studies \u2013 \u201cCulture Chameleons: Narrative Code-Switching"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"18273\" class=\"elementor elementor-18273\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c8bf9d6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c8bf9d6\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-50110d0\" data-id=\"50110d0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-72fd89d elementor-widget elementor-widget-heading\" data-id=\"72fd89d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Publication of March 2023 issue of Concentric: Literary and Cultural Studies \u2013 \u201cCulture Chameleons: Narrative Code-Switching<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0e43c45 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0e43c45\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f1a3bb1\" data-id=\"f1a3bb1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7c480d0 elementor-widget elementor-widget-text-editor\" data-id=\"7c480d0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Dear Colleagues,<br \/><br \/>We take great pleasure in announcing the publication of the March 2023 issue of\u00a0<em>Concentric: Literary and Cultural Studies<\/em>. The special issue, \u201cCulture Chameleons: Narrative Code-Switching,\u201d is guest edited by Professor Earl Jackson, Chair Professor of the Department of Foreign Languages and Literature at Asia University, and our very own Professor Mary Goodwin. This special issue features four research articles, one comic, and one interview. There are also two research articles on general topics and one review article. All articles are available on our website; for more information please visit\u00a0<a href=\"http:\/\/www.concentric-literature.url.tw\/\">http:\/\/www.concentric-literature.url.tw\/<\/a>.<br \/><br \/>Sincerely,<br \/>Justin Prystash<br \/>Editor<br \/><em>Concentric: Literary and Cultural Studies<\/em><br \/><br \/>*****************<br \/><br \/><strong><em>Concentric: Literary and Cultural Studies<\/em>, Vol. 49 No. 1 (March 2023)<\/strong><br \/><strong>Special Issue \u201cCulture Chameleons: Narrative Code-Switching\u201d<br \/>Guest Editors: Earl Jackson and Mary Goodwin<\/strong><br \/><strong><br \/>Introduction<\/strong><br \/>Introduction \/\u00a0<strong>Earl Jackson and Mary Goodwin<\/strong><br \/><br \/><strong>Articles<\/strong><br \/>Cross-Ciphering Modernity: The Social Representation of Code-Switching in <em>The World between Us<\/em> \/\u00a0<strong>Min-Chi Chen<\/strong><br \/><br \/>Code-Mixing and Code-Switching in Classical Hong Kong Cinemas \/\u00a0<strong>Victor Fan<\/strong><br \/><br \/>Everyday Resistance, Female Agency, and Identity Politics: Code-Switching as Tactic in <em>Still Human<\/em> \/\u00a0<strong>Ting-Ying Lin<\/strong><br \/><br \/><em>Pachinko<\/em> and the Code-Switching of History \/\u00a0<strong>Suk Kim and Heegoo Lee<\/strong><br \/><br \/>Code-Switching: Trials and Tribulations \/\u00a0<strong>Julia Alekseyeva<\/strong><br \/><br \/>Decoding Power Structures in US and Taiwan Universities: An Interview with Jennifer Ruth \/\u00a0<strong>Jennifer Ruth with Mary Goodwin<\/strong><br \/><br \/><strong>Literary and Cultural Criticism<\/strong><br \/>Frank O\u2019Hara\u2019s Libidinal Topography and the Nativity of an Orphic Poet \/ <strong>Seoyoung Park<\/strong><br \/><br \/>Reconstructing Taiwanese Indigenous Literary History\u00a0\/ <strong>Nikky Lin<\/strong><br \/><br \/><strong>Reviews<\/strong><br \/>The Birth of Taiwan\u2019s Fourth Cinema\u00a0\/ <strong>P. Kerim Friedman<\/strong><br \/><br \/><br \/><br \/><br \/><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Publication of March 2023 issue of Concentric: Literary 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